„L'Orfeo“ ist eine Gemeinschaftsproduktion der Sparten Oper, Tanz und Puppentheater mit den gesamten Ensembles. Giuseppe Spota, Direktor der MiR Dance. Dieses Jubiläum veranlasste den Dirigenten John Eliot Gardiner mit den drei Opern "L'Orfeo", "Il ritorno d'Ulisse in patria" und "l'incoronazione. L'Orfeo von Monteverdi - Musik / Sonstiges - Rezension - ebook 2,99 € - GRIN.
L'Orfeo von Monteverdi„L'Orfeo“ ist eine Gemeinschaftsproduktion der Sparten Oper, Tanz und Puppentheater mit den gesamten Ensembles. Giuseppe Spota, Direktor der MiR Dance. L'Orfeo. Favola in Musica von Claudio Monteverdi, Libretto von Alessandro Striggio d.J.. Samstag, - Uhr. Opernhaus. Termine und. L'Orfeo (dt.: „Orpheus“, SV ) ist eine Favola in Musica von Claudio Monteverdi. Das Libretto stammt von Alessandro Striggio dem Jüngeren. Die Oper besteht.
L Orfeo You may also like VideoL' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
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It is the best filmed by far. Excellent camera work and superior sound- What you'd expect from DGG. Singing and original instrument performances are amazing, especially considering this was The viewer is brought into the action, as are the duke and duchess of Mantua, the townspeople, and Monteverdi himself.
The opera itself is spellbinding, and has endured a full years- and for very good reason! There are no tricks or cute "modern" sets, costumes, etc.
This is a true revival with unique perspectives. The scenery and costumes are authentic and very beautiful. This is a very, very special DVD, and can be purchased as a box set with the other two extant Monteverdi operas.
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Orfeo attempts to follow her but is drawn away by an unseen force. The chorus of spirits sings that Orfeo, having overcome Hades, was in turn overcome by his passions.
Back in the fields of Thrace, Orfeo has a long soliloquy in which he laments his loss, praises Euridice's beauty and resolves that his heart will never again be pierced by Cupid's arrow.
An off-stage echo repeats his final phrases. Suddenly, in a cloud, Apollo descends from the heavens and chastises him: "Why dost thou give thyself up as prey to rage and grief?
Orfeo replies that it would be unworthy not to follow the counsel of such a wise father, and together they ascend. A shepherds' chorus concludes that "he who sows in suffering shall reap the fruit of every grace", before the opera ends with a vigorous moresca.
In Striggio's libretto, Orfeo's act 5 soliloquy is interrupted, not by Apollo's appearance but by a chorus of maenads or Bacchantes—wild, drunken women—who sing of the "divine fury" of their master, the god Bacchus.
The cause of their wrath is Orfeo and his renunciation of women; he will not escape their heavenly anger, and the longer he evades them the more severe his fate will be.
Orfeo leaves the scene and his destiny is left uncertain, as the Bacchantes devote themselves for the rest of the opera to wild singing and dancing in praise of Bacchus.
The date for the first performance of L'Orfeo , 24 February , is evidenced by two letters, both dated 23 February. In the first, Francesco Gonzaga informs his brother that the "musical play" will be performed tomorrow; it is clear from earlier correspondence that this refers to L'Orfeo.
The second letter is from a Gonzaga court official, Carlo Magno, and gives more details: "Tomorrow evening the Most Serene Lord the Prince is to sponsor a [play] in a room in the apartments which the Most Serene Lady had the use of The room of the premiere cannot be identified with certainty; according to Ringer, it may have been the Galleria dei Fiumi, which has the dimensions to accommodate a stage and orchestra with space for a small audience.
There is no detailed account of the premiere, although Francesco wrote on 1 March that the work had "been to the great satisfaction of all who heard it", and had particularly pleased the Duke.
The music, observing due propriety, serves the poetry so well that nothing more beautiful is to be heard anywhere". Francesco wrote to the Duke of Tuscany on 8 March, asking if he could retain the services of the castrato Magli for a little longer.
There are suggestions that in the years following the premiere, L'Orfeo may have been staged in Florence, Cremona, Milan and Turin,  though firmer evidence suggests that the work attracted limited interest beyond the Mantuan court.
After years of neglect, Monteverdi's music began to attract the interest of pioneer music historians in the late 18th and early 19th centuries, and from the second quarter of the 19th century onwards he is discussed increasingly in scholarly works.
This edition was the basis of the first public performance of the work in two-and-a-half centuries, a concert performance at d'Indy's Schola Cantorum on 25 February An edition of the score by the minor Italian composer Giacomo Orefice Milan, received several concert performances in Italy and elsewhere before and after the First World War.
This edition was the basis of the opera's United States debut, another concert performance at the New York Met in April In the London Saturday Review , music critic Dyneley Hussey called the occasion "one of the most important events of recent years"; the production had "indicated at once Monteverdi's claim to rank among the great geniuses who have written dramatic music".
Among a flurry of revivals after was Paul Hindemith 's edition, a full period reconstruction of the work prepared in , which was staged and recorded at the Vienna Festival in This performance had a great impact on the young Nikolaus Harnoncourt , and was hailed as a masterpiece of scholarship and integrity.
The theatre was criticised by New York Times critic Harold C. Schonberg because, to accommodate a performance of Luigi Dallapiccola 's contemporary opera Il prigioniero , about a third of L'Orfeo was cut.
Schonberg wrote: "Even the biggest aria in the opera, 'Possente spirito', has a good-sized slash in the middle By the latter part of the 20th century the opera was being shown all over the world.
In , Sadler's Wells , forerunner of English National Opera ENO , staged the first of many ENO presentations which would continue into the 21st century.
During the period —10, the French-based Les Arts Florissants , under its director William Christie , presented the Monteverdi trilogy of operas L'Orfeo , Il ritorno d'Ulisse and L'incoronazione di Poppea in a series of performances at the Teatro Real in Madrid.
L'Orfeo is, in Redlich's analysis, the product of two musical epochs. It combines elements of the traditional madrigal style of the 16th century with those of the emerging Florentine mode, in particular the use of recitative and monodic singing as developed by the Camerata and their successors.
The singers are required to do more than produce pleasant vocal sounds; they must represent their characters in depth and convey appropriate emotions.
Monterverdi's recitative style was influenced by Peri's, in Euridice , although in L'Orfeo recitative is less preponderant than was usual in dramatic music at this time.
It accounts for less than a quarter of the first act's music, around a third of the second and third acts, and a little under half in the final two acts.
The importance of L'Orfeo is not that it was the first work of its kind, but that it was the first attempt to apply the full resources of the art of music, as then evolved, to the nascent genre of opera.
In L'Orfeo , Monteverdi extends the rules, beyond the conventions which polyphonic composers, faithful to Palestrina, had previously considered as sacrosanct.
The opera begins with a martial-sounding toccata for trumpets which is repeated twice. Tutte le opere di Claudio Monteverdi , Vol.
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Show HTML View more styles. Photos Add Image. Edit Cast Complete credited cast: Montserrat Figueras La Musica Furio Zanasi Orfeo Arianna Savall Euridice Sara Mingardo Speranza Antonio Abete Word in Definition.
Freebase 0. How to pronounce L'Orfeo? Alex US English. Daniel British. Karen Australian. Veena Indian.Gesang, Z. Paris Party ist der Augenblick, in dem Apollo erscheint, um seinen Sohn zu retten. Er dreht sich um — und verliert die Geliebte ein zweites Mal. Mär Lumia 950 Release Deutschland L’Orfeo ist eine Favola in Musica von Claudio Monteverdi. Das Libretto stammt von Alessandro Striggio dem Jüngeren. Die Oper besteht aus einem Prolog und fünf Akten. Der Inhalt ist eine freie Wiedergabe der griechischen Sage von Orpheus und. L'Orfeo (dt.: „Orpheus“, SV ) ist eine Favola in Musica von Claudio Monteverdi. Das Libretto stammt von Alessandro Striggio dem Jüngeren. Die Oper besteht. Claudio Monteverdi. Text von. Alessandro Striggio d. J. Claudio Monteverdis»Orfeo«gilt als ein Meisterwerk europäischer Musikgeschichte und genießt den. Dieses Jubiläum veranlasste den Dirigenten John Eliot Gardiner mit den drei Opern "L'Orfeo", "Il ritorno d'Ulisse in patria" und "l'incoronazione.